Before Jack Johnson became the 21st century kingpin of beachside pop/rock, he was a champion surfer on the professional circuit. The sport was second nature to the Hawaiian native, who began chasing waves as a toddler and, by the age of 17, had become an outstanding athlete on the Banzai Pipeline.

However, Johnson was also testing other creative outlets - specifically film and music - and a serious surfing accident during his first professional competition convinced him to devote more time to those landlocked hobbies. After studying cinematography in college, he turned his full attention to music, writing breezy pop songs punctuated by an unassuming voice and a mellow, beach-bum demeanor. Vw 7 speed dsg gearbox service manual 2017.

The combination proved to be particularly commercial, as Johnson's first five major-label albums all climbed to platinum status.While studying film at the University of California in Santa Barbara, Johnson partnered with friends Chris Malloy and Emmett Malloy to produced a surfing documentary entitled Thicker Than Water. Although the project spotlighted Johnson's talent as a director, it also showcased his flair for songwriting, and the accompanying soundtrack featured several of his own tunes. Thicker Than Water was deemed 2000's Video of the Year by Surfer magazine and paved the way for a second surf flick, The September Sessions. Meanwhile, Johnson began receiving similar notice for his songs, one of which was covered by G. Love & Special Sauce on the band's 1999 album, Philadelphonic. Shortly thereafter, Johnson's demo material piqued the interest of J.P. Plunier, a French producer who had helped launch Ben Harper's career several years prior.With Plunier's help, Johnson recorded and released Brushfire Fairytales in 2001.

Create & stream a free custom radio station based on the song Better Together by 8-Bit Misfits on iHeartRadio! Better Together. 8-Bit Versions of Jack Johnson, 3m 30sec. Better Together; Chat About Better Together by 8-Bit Misfits. Music, radio and podcasts, all free. Listen online or download the iHeartRadio App.

The debut album featured a cameo by Ben Harper, thus sparking a friendship between the two musicians. Moreover, its casually spun folk songs attracted an audience that stretched far beyond Johnson's own surfing community, and Brushfire Fairytales went platinum as a result. After touring throughout the early half of 2002, he returned to the studio and issued On and On one year later. Despite its musical similarity to Brushfire Fairytales, On and On found Johnson delving into social commentary, resulting in a number of songs that paired worldly, insightful lyrics with a sunny surf vibe.Jack Johnson toured heavily in support of his growing catalog, taking frequent breaks to surf and spend time with his family. When it came time to return to the studio, he resumed his partnership with Mario Caldato, Jr., the same producer who had helmed On and On, and decamped to Mango Trees Studio in Hawaii. In Between Dreams was released in 2005, sporting a mango tree on the album's cover (in tribute to the studio) while offering a familiar mix of tropical songwriting and conscious commentary. The album peaked at number two, Johnson's highest chart position to date in America, and sold more than two million copies stateside.

Oddly enough, it was Johnson's next project, the kids-oriented Sing-A-Longs and Lullabies for the Film Curious George, that finally sent him to the top of the charts. The soundtrack debuted at number one in February 2006, selling 149,000 copies during its first week and making Curious George the first animated film since Pocahontas to have a chart-topping soundtrack. Like the four albums before it, it climbed to platinum status.Despite such continued success, however, Johnson was dealt a sharp blow in 2007, when his cousin Danny Riley succumbed to brain cancer. That death, coupled with the decision to record outside of Hawaii's familiar environment, lent a moody ambience to Johnson's next record, 2008's Sleep Through the Static.

Nonetheless, the bulk of the album retained a warm, sand-scrubbed feel, and Sleep Through the Static went platinum within five weeks. Johnson traveled throughout Europe that summer, playing some of his largest shows to date, and the resulting footage was captured for the 2009 CD/DVD release En Concert. Johnson released his fifth studio album, To the Sea, in June 2010. Covering a nine-year span, the Jack Johnson & Friends: The Best of Kokua Festival compilation appeared in 2012 and featured performances from Johnson's benefit concert for the nonprofit, environmental education organization the Kokua Hawaii Foundation. Johnson returned to his Mango Tree studio with Mario Caldato, Jr.

who produced his 2005 release In Between Dreams - to record his sixth studio album, From Here to Now to You. The album, which was released in September 2013, was preceded by the single 'I Got You.' A couple of live releases quickly followed - the vinyl-only Live at Third Man Records 6-15-2013 came out in November 2013 and an EP called From Here to Now to You appeared in 2014 - and then he went quiet in 2015 and 2016. Johnson returned in early 2017 with the single 'Fragments,' the first taste of his seventh studio album, All the Light Above It Too, which appeared in September of that year.

Miles Davis – A Tribute To Jack Johnson (1971/2014)FLAC (tracks) 24 bit/96 kHz Time – 52:27 minutes 1,2 GB Genre: JazzStudio Masters, Official Digital Download – Source: HDTracks.com Front cover © Columbia/LegacyA Tribute to Jack Johnson is a soundtrack composed by Miles Davis to accompany a documentary film about the life of boxer Jack Johnson. For the score, Davis said he wanted to put together what he called “the greatest rock and roll band you have ever heard.” The line-up featured John McLaughlin and Sonny Sharrock (guitars), Herbie Hancock and Chick Corea (keyboards), Bennie Maupin (clarinet), and Jack DeJohnette and Billy Cobham (drums). Produced by Teo Macero, the soundtrack was recorded in two sessions between February and April of 1970.

Both sessions took place at the 30th Street Studio in New York City.None of Miles Davis’ recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis’ promise that he could form the “greatest rock band you ever heard.” Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete.

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For the opener, “Right Off,” the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes. This was from the musicians’ point of view, in a single take, recorded as McLaughlin began riffing in the studio while waiting for Miles; it was picked up on by Henderson and Cobham, Hancock was ushered in to jump on a Hammond organ (he was passing through the building), and Miles rushed in at 2:19 and proceeded to play one of the longest, funkiest, knottiest, and most complex solos of his career. Seldom has he cut loose like that and played in the high register with such a full sound.

In the meantime, the interplay between Cobham, McLaughlin, and Henderson is out of the box, McLaughlin playing long, angular chords centering around E. This was funky, dirty rock & roll jazz. There is this groove that gets nastier and nastier as the track carries on, and never quits, though there are insertions by Macero of two Miles takes on Sly Stone tunes and an ambient textured section before the band comes back with the groove, fires it up again, and carries it out.

On “Yesternow,” the case is far more complex. There are two lineups, the one mentioned above, and one that begins at about 12:55. The second lineup was Miles, McLaughlin, Jack DeJohnette, Chick Corea, Bennie Maupin, Dave Holland, and Sonny Sharrock.