This is the latest driver for connecting the Roland VG-99 to Microsoft(R) Windows Vista and XP. VG-99 Editor/Librarian Version 1.01a (MAC) This installer includes two programs: VG-99 Editor - a program for editing the parameters for the VG-99 on your computer, and VG-99 Librarian - a program for patch management for the VG-99 on your computer. And Very very deep editing with the VG-99 Editor. And Guitar Pitch detection to trigger an external MIDI sound engine (there are Zero Internal MIDI Synth Sounds). The VG-99 can also send Guitar to MIDI Note On/Off conversion via 5 PIN MIDI OUT, or MIDI over USB to a PC/MAC, to trigger softsynths, or perform auto tabulature using GuitarPro 6.

The Roland VG 99 is a guitar system that was really appealing to me. Just the look of it seemed like it was something that I could really use. But before spending money on it I had a chance to really get into depth and use it for a while to see if it was something that I really would like. One of the key things that really made this unit stand out to me was just the overall functions of the unit. It seemed like Roland really put some time into making the VG 99.

From its previous models there are many upgrades that they have made to make it quicker to do what you wanted.UTILIZATIONIt wasn’t easy for me to get started with this unit. I did have to open up the manual and spend a little time reading. But I did that from the start so I could eliminate the countless minutes I would spend doing trial and error. The manual was very easy to understand and it was clear and concise.

After reading through the manual a little while I had the hang of it and was ready to get going.GETTING STARTEDThe sounds quality on the VG 99 is second to none, you really couldn’t ask for much more for this price. It supports USB connection to computers and also midi connections for other devices like other keybaords and modules or anything that can take midi connections. Connecting all of this stuff is very easy if you understand how midi works in comparison to different devices and sound.OVERALL OPINIONOverall, Very pleased with the VG 99 the interface was a bit confusing at first but that was nothing that the manual couldn’t help me power through. You have the ability to really get some good sounds, and more importantly you can really get the sound you want with the Roland VG 99. The VG 99 really has taking my creativity to new levels.

(Originally written by la.boulanderie/translated from Audiofanzine FR)See Roland's website for detailed features and other user reviews.However, I'll tell you something you won't find there:The VG 99 is compatible with the GK2 I installed on my Ibanez 10 years ago, and which I didn't use a lot because the high latency of Midi guitars discouraged me. But this is a different story and it relates exclusively to the playing of the guitarist. I didn't try to burn my guitar like Jimi Hendrix but I think that's also possible. I tried to use the up/down buttons of the Midi pickup but had no success, and I think it has to do with wrong parameter editing on the VG.The Midi pickup settings are a breeze. You only need a measuring tape if you don't know how much your guitar measures. Choose the pickup model.

Enter the strings length and the distance between each string and the Midi pickup. Set the sensitivity according to your playing style and the balance between all chords. And you're ready to start playing (it takes five minutes). You can also make settings for several guitars.The sound is accurate and clean because it's digital. It's not the right gear for you if you want noise, crackle, hiss and other vintage pleasures. On the contrary it's the perfect tool if you want perfect recordings.For my part I expect the following results with such a device:In the studio it must provide me a wide sound range without having to buy and service all corresponding instruments (folk guitar, classical guitar, dobro, banjo, sitar, mandolin, ukulele, Stratocaster, Telecaster, ES335, jazz hollowbody, Rickenbaker, Les paul, SG, 12-string acoustic and electric guitars, synth, bass. And more).Live on stage it must allow me to mix several instruments at the same time (bass/guitar, folk/electric guitar, guitar/synth) and to create different sound ambiances for each song (we are only two musicians playing with a female singer).UTILIZATIONVery easy to use.

Install solaris in vm. I bought it Friday morning and I already used it live on stage on Saturday night.I did get a user's manual. I read it only to set up the Midi pickup. All other steps are very intuitive. I read it the day after our gig and I understood that I already knew everything I needed.If you want to test all possibilities (which seem to be endless) you'll probably have to spend a lot time with it but it's certainly worth it.

Useless to return to the specifications. They are clearly listed on the official website.It may however be useful to recall that the VG-99 is a combination of several elements: a guitar modeler (Line 6 Variax way), a guitar synthesizer, an amp modeler, a multi-fx, a converter Guitar MIDI audio interface on a USB port, a physical controller / MIDI.Everything can be used with a conventional guitar, but it makes sense when it connects a guitar with a pickup kind, GK2 or similar. Indeed, the use as 'simple' multi-fx does nothing special, however, most other functions require a separate capture of each guitar string.On paper, the VG-99 looks like being a condensed / Swiss knife rather promising and exciting, but as often with Roland / Boss, and for several years in practice, we always end up wondering if the ingestion of the brand are really aware of what needed by musicians and in the end we almost always ends up with a bike to the basic concept but interesting to see botches incomplete development or incomplete. The VG-99 is fortunately not a fiasco, but it is unfortunately not the bottom of things.UTILIZATIONThe general configuration Is it easy?When we already know what type of machine, it is rather the infancy of art. However, for those who have never laid hands on this type of machine, getting started can be a little harder.What is certain is that the MIDI conversion functions and the modeling results of guitar / synth require adjustment of the parameters of GK more accurate.

GK parameters of which I speak concerns the optimization of the instrument used on the VG. These are briefly set the sensitivity of each string, positioning the pickup, the statement of the pitch (length of the vibrating strings for which simply measure the distance Nut-12th fret and then multiply by 2) of guitar used, etc. This is indeed the sensitive point if you want to get the most out of the machine. We must act patiently, and most importantly, with logic and insight. Once that chore negotiated, one can enter the heart of the matter and start planning our first sounds. For this, as often, no hope little plants that sounds, if they can possibly help them understand the possibilities of the LV (provided you have a since the real-time controls are generally programmed function of this bracket), but beyond that, we should not expect results sound unbelievable.

I think the best is to start from scratch by resetting a patch and the building from A to Z.The front panel controls remain relatively clear and, for the basic functions, you do not spend three hours looking for the button that goes. However, a lot of 'little things' could greatly improve the phases of programming. For example, a detail, but when m ^ m, the CHAIN ​​menu that displays the chaining (order) effects it does not directly call the edit page of one or other known effects of requiring the user to first go through the main menu of this section. Tedious when a button could simply allow calling this page since the chaining.I know, I'm pinailleur, but my experience RolBoss products makes me think that at one time, the ingestion of the brand knew to think about all these details because the older machines often swarm of little things like that.M ^ m of the way, one can appreciate the CATEGORY function is also present in many multi-fx brand, but in the m ^ m time, regret that this function does not allow the classification of a preset m ^ m in more than one of these categories. This is particularly unfortunate that the AG offers both conventional guitar sounds AND synth which can quickly bring a preset to be useful both in Funk Rock, or even cause it to be classified as in the category that Synth Lead Dubbing.Well, it does not alter the content of the machine, but given its relative complexity, it is typically the kind of thing that makes the difference with the competition. Now this is where the problem lies. Competition, RolBoss knows she does not really.

Under these conditions, it is unclear what might encourage them to leave the ends of the digital foundation to innovate a little more. Those who know the series loopstation and know what the competition has in the past 20 years fully understand what I mean.

But anyway, this is not the topic here.GETTING STARTEDThe format desk is not the most suitable for use on stage. I would have preferred a real pedalboard or rack size, but there is a and it did not m ^ m the advantage of being better suited to use studio / home studio since the machine remains relatively bulky on a desk.

The tripod is an optional foutage mouth of both financial stability. A simple sheet metal panel does a better job for much less.In short, we can ask the question this choice, but after all, why not.The manual is rather didactic, but unfortunately it lacks technical info. For the character, see below, to take two pages. Two inde-pendent stereo output jack + output to amp scratches. Footswitch jacks, expression pedal, pdalier ddi (too expensive.)That's all numrique but honntement must be manic to find his dish or cold.Cons:1.

No send / return, it was a shame for those with overdrive lamp.2. Roland construction: it certainly raise very solid, but the plastic o I prfr mtal a carcass a bit more vintage. In addition, attention to sensor cable VG-99, which is closer to the cable noon (so fragile) and the jack indestructible. We must therefore secure the cable.D'o 9 instead of 10.A word about the installation of sensor: on an easel TuneOMatic (Les Paul, 335, Sheraton.) is possible in 30 minutes, the longest is dcorder the guitar because the sensor attaches directly to easel. On an easel was vibrato must be a different story.UTILIZATIONConfig ultra-simple, very well think it opens the manual once or twice and the rest were triturated and costing! The edition is logical and easy.

Many in contrl facade, all assignable very simple (6 + 2 encoders in facade switches, 1 + 2 encoder switches on the guitar (sensor ), + anything you want by controlling MIDI at the base, a D-beam and a ribbon to sculpt the sound of sustained notes). Manuel impeccable, thank you Roland.GETTING STARTEDThe effects are impressive (I do not list: there are any). Some reviews criticize the simplicity of Time limits but I wonder if users open the manual: it was the dlai stereo, dual reverse, analog, tape, with rinjection and hold (maintaining infinity) the all with 2.8 seconds of memory, I think that's enough for a multi-purpose.For cons, the famous Roland rverbs. It's usable but there is always something unnatural. From the time they should change their algorithm, the latest free plugin sounds better. For hard, sticking a small prvoir Elec TC or Lexicon ass LV for rverbs.

Knowing that each patch change the VG can send a program change to the external effects so that they line up, soon the galleys.For modlisations, I will not talk about realism: I am a pianist and saxophonist based and I do not care much whether that's really sounds like a Start 65 'on a Mesa Boogie. I do not know actually. The important thing is that DIFFERENT modlisations have their own personality.

The strata are chattering, the 335 are jazz, Flatwound are more jazz, acoustic surprising low growl as it should. Synthsrpondent and the eye, they squeak, grunt and caress. So we forget the pRSET for Japan and put the hands dirty in reliance ears.NB: I will not talk about distos, I never do dishes (jazz style), but the crunch rpondent very naturally.I use it with the Sheraton, a sensor, Elixir strings (attention, even with a sensor hex impact the brilliant sound of the strings) and a.One last thing: with this gear, forget all your stack lamp, which he wants is a neutral HP. So keyboard amp, monitors or PA applications. My home is an active speaker bte 12 '300 euros Thomann and sounds 10x better than on my Vox.OVERALL OPINIONUseful since one month, I rediscover the guitar. Multi-purpose I had the Boss (but c'tait way long ago), the Digitech (better, especially the reverbs) and Vox (yum).

VG breaks out everything without effort, reverbs put hand.The pros: you can do anything. And respect the gameThe -: be obliged to abandon her pretty amp and agree to have the ugly numrique in its signal.

But worth it. Plus I do not like Roland (ie psychological) but they bury everyone with this BCAN so I put my snobbery ct.Q / P: 1100 euros with the sensor, let honnte is very expensive when you're not pro. But there is no alternative. Therefore seen as a. Soon to buy ten guitars, fifteen amp, a bass and three synths, and the shed for storage.With exprience, I go back well in time for its release buy ds, hh.

The VG 99 is the Swiss Army Knife of guitarists. Multi effects but not only, and much more, akin to the best 'tools' of the same type built by Roland.

The part is identical to the effects with ability to handle chains of different effects on the two stereo outputs. Modeling in all directions. Provided you use a Roland GK pickup, you can choose the type of guitar, electric, acoustic, synths, microphones with which they are taken, the type of amp, speakers, etc. You can also make his own guitar by choosing the location of microphones, their type, orientation, etc.Everything is editable from the AG 99 itself or through a publisher Mac / PC very useful, indeed may be essential if we want to get into the 'heart' of the system.Some gadgets were implanted by Roland on the camera: D-beam, which allows a variation of sounds / effects in 'cutting' an invisible beam with your hand eg (D-tune impressive effects, for example) or maintain a chord or note 'hold' in order to replay over. Just a quick note without much description I admit it.

The ball, I never had anything like the hands or ropes. Sounds same factory, I'm not a pro and reading the other I do not can be very demanding. So humbly, I scratch and I listen to an agreement.

It's madness I did not get out ca with my own little fingers! I also bought a and I'm on c. Even if the sound quality is not as amazing what's great is that you branch and you play Basta! Ca and forces you to grow.

I have a synth gear side, a table makie, a VGA 3, a GLXT Godin, Takamine Santa Fe, Martin Travel, LTD KH, a flute, a tabla, a jaw harp;;. I had a pod pro, a TC G Magor, a twelve o'clock and another thing which I do not know the name but took down all the time, zoom and other rack boxes and cuckoo pedals company but never I came face to that level of perfection. Do not make me particularly confident of course, but will try it at your local Worth the trip you will take a hell of Panard. Good music at all. EricUTILIZATIONYes if you got used to this kind of machine getting started is simpleGETTING STARTEDGreat! But I do not know all the competitorsOVERALL OPINIONThe pure juice of paradise but you do not go to see next and tell me if you do not agree it would allow me to know more. Multi-effects, amp simulator, guitar (electric, acoustic, bass) synth with a midi interface.The VG99 contains the equivalent of two-level systems of the GT-Pro (COSM include two GT-Pro).Applied COSM effects and amp simulations / guitar / synth.Effects / simulations can be edited through an editor via a USB connection.The same connection can record 24 bit 44 khz.

VG99 librarian software is supplied to manage the effects and presets created.Front panel connectors: Sensor input Controllers: A ribbon controller that is used by sliding his finger on it (hard plastic) D Beam detects the passage of an object (neck of the guitar) above the sensor can be used to change the preset switch between two guitars. Change effects. Etc.Rear panel connectors:in order from left to right A guitar input jack A guitar output jack (its unmodified guitar) 2 outputs L / R XLR 2 outputs Unbalanced jack L / R 1 x headphone / phono 1 digital output (SPDIF) An input jack for an expression pedal EV5 (recommended) An input jack for a footswitch (recommended) 1 x USB 1 x RJ45 to connect the MIDI foot controller with the supplied cable (do not connect to an ethernet network) MIDI IN and OUT A power input. There is a small external transformerThe unit is rack vertically using spacers as an option.It is possible to fix on a horizontal support on one foot.The unit comes with a USB cable, a cable connection at (the must be purchased separately) a cable connection to the pedal, 4 wheel to screw the unit on the braces rack.A manual in English, a CD-ROM containing the driver and two USB interfaces for machine management (modeling and library)We regret the absence of: A manual in FrenchVideo presentation here:UTILIZATIONThe manual is in English. The operating system of the machine also. No localization possible.The firmware updates are possible by transfer of MIDI files (see the forum).Editing is easy, depending on what you want to do it will read the manual.People who have had a / gather the large data wheel to change the preset.400 200 user preset banks (editable) and 200 system.We recall the screens with buttons.

Then each screen has several pages that you scroll with the arrow keys. It changes the settings for the buttons in front below the screen.I return to the aesthetics of the machine. I was unpleasantly surprised by the screen made of white squares on a black background. I expected a better definition more in line with the quality of the software interface. So the definition of the screen is rough. But to use it proves very comfortable.

The inclined plane longer large print can work at 1 meter from the camera without blinking.Still on the aesthetic disappointment because the case is not the same metal as the. The bottom is plastic and it looks like plastic but cold like metal alloy appears to be fairly soft. Touch is graphite and enjoyable. So be careful. This model is not built like a tank.It will be appreciated that D-Beam allows you to change preset guitar effects. Last of all what we want just by passing the sleeve over the sensor.

The ribbon control is more controversial. Made of hard plastic it works great and allows the control of modulation / pitch etc. But how to play guitar at the same time make a wha with a finger? It may help in the studio.We connect the guitar with the cable in the GK3 facade in the device. The guitar signal itself returning in GK3. We can use the GK3 at leisure, or the guitar signal or a mix of both.The GK3 has a knob for volume control that can be assigned to the control of another parameter, two buttons for variations within a preset (state) and finally a switch signal GK3/signal guitar / mix of both.The GK3 is provided with means for mounting the sensor range. The GK3 in itself damaging to place it on the guitar strap attachment: it has a metal face fabric / foam to protect the guitar.The sensor can be placed on a support screwed into the guitar.

This support can be mounted on an easel type gibson (without degradation for the guitar). The sensor can also be bonded through double-sided adhesive on the guitar. Shims are provided to adjust the space between the strings and capteur.J 'I chose the latter non-destructive editing for the guitar and it fits comfortably.The MIDI standard is accessible via the USB or the MIDI output. We can therefore dispense with a Midi interface for the PC.The system works very well with cubase, ableton wrong with the steering. Magix VST is immediately noticeable.I lowered my rating because of the problem of locating the device.The build quality shocked me the first day I expected to find a way tank construction and WP6 knob (on stage attention must be paid) for at.

As I discovered the qualities of this I found the camera. Smile and good ergonomics of the whole I am satisfied.GETTING STARTEDThe models made by the GK3 are excellent, more loyal than those provided by a Variax. One stratum to the tone and dynamics of a stratum, ditto for TV etc. The acoustic guitars are successful. Everything is tweakable.The open tuning can be used.

It is possible to program an acoustic sound on a string, an electric sound on the next string, open Tune all, to ask the VG99 to turn all this into 12 strings. And open each independently Tune twelve strings of the chord associated. Phew (pretty basic after all, o)).I do not put the maximum to take into account the opinion of some people who do not like the GT-Pro. For the treatment of bare sound of the guitar, the sound of the GT-Pro. For the models against the GK3 deserve full marks because I know nothing about that for now.

Equal Fender Roland has not chosen for its VGcaster for nothing.See the first samples provided here:Here with more talent and time, there are some VST appears:the samples 'directly out of the box' are not very good, outstanding sensor hack with Cubase LE which does not generate the mp3. The last two samples 7 & 8 give a better quality recording (sensor set and I used another sequencer that generates mp3 320kb / s). There is a loss of momentum, however, probably due to streaming or upload to the server from the original mp3. I would do the samples in the same quality slowly. Other samples are coming according to my whims.

O)OVERALL OPINIONI am personally very satisfied with the models offered and in fact I use more than that. I have not wanted to use it for the functions of the GT-Pro (I look at my beautiful guitar gathering dust ).I came back on the scoring on 12 string and I am definitely on the c.Patch 66 that simulates two twelve strings are to die for.I do not understand how this type of equipment does not know more success.The quality of the simulations is staggering (to eat the headphones AKG 271), the genius of Roland and the idea of ​​having two processors for two guitars. Except that opening the door combinations which prove to be far from the gadget (the low E string and electric guitar for the others) as Roland stated in its manual it is recommended that a time one defined a model of guitar / amp to double it by adding the second a slight delay. It works fantastically well and we gain in realism and dynamic.I put the maximum. This product is really. To discover the GK3.(Incidentally, I did not know of any product, or want to spend the Pro, I'm leaning towards this product which brought together such a GT-Pro and features MIDI.

I did not pay attention to the modeling side. And yet it is this aspect of the machine that wins because of its unsurpassed quality now. Who uses this system? Well, I think a lot of professional background in the studio, but discreetly apart. Bertignac came to play a song with a Gibson SG400 taratata equipped with GK3 and obviously the distortion was not from the guitar)Finally I'm here and still available for more detailed information.

Product Information. Any guitarist will quickly fall in love with the Roland VG-99 Multi-Effects Guitar Effect Pedal that creates virtually any tone. Play any style of music with this pro-class effects compressor that’s complete with sounds from different styles of guitar effects. You can even enjoy other synth instruments, which allows you to create the effect that is perfect for you. The VG99 supports USB audio and has a MIDI interface with an on-screen editor to focus on each note. Truly enhance your sound with this beneficial feature. You will have fun with this compressor that has simple knob-based controls.

Maintain complete control over your sound while performing live or recording your songs in the studio. With this product, you won’t need any extra gear or accessories to get the sound you want. Its powerful performance has easily become a leader in guitar modeling. You can choose between acoustic guitars and electric guitars, or even nylon stringed guitars, banjos, or a bass.

The possibilities are endless with this easy-to-use controller that sounds perfect with every strum of your favorite instrument. The Roland VG-99 Multi-Effects Guitar Effect Pedal can be plugged into any of your amps. It comes equipped with all the software you need to create and record anything that you play. This is one of the only pedals that has a built-in MIDI interface to give the player the ultimate control. When you plug into your amp, you will be astounded at the results and can even modify on your computer. The Roland VG-99 has advanced performance controls like the D BEAM, V-LINK, and Ribbon Controller to truly enhance your playing.

Choose from different electric guitars and synths so that you can add different layers to your songs with ease. Each time you pick or strum the strings of your electric guitar, the VG-99 receives the signals through the pickup.

It then processes the data through its system to give you a professional harmony no matter what you play. The v-guitar synths give you a variety of choices and can make playing in alternate tunings that much more fun. This VG-99 is a sample-based compressor that gives you the power to play any style of music that you want. With just the turn of the knob, you can access what you want with its versatile COSM technology. With your favorite instrument, all you have to do is plug it into this product to create any instrumental effect. This option gives you the ability to increase your playing potential and allows you to add an extra touch of style.

Fully embrace your live performances or even become a one-man band in the studio. This product contains 11 different synth waves to use.

This accessory is ideal for musicians of all levels. This compressor even records with no tracking delay so you can hear what you play without lag. No matter what your preferences are, the variety of instruments and custom-made options give you a world of possibilities. With this product, you will have the essentials to become the musician that you have always dreamed of being. The best processor ever personally ownedIt does everything you'd ever want for the things you didn't realize the processor could do, the effect processing is amazing, the amplifier and microphone simulation is simply awesome, and of course using GK guitar or equipped guitar for guitar modeling is absolutely amazing.

Incredibly convenient for gigging I run it straight into a PA system at church and get everything I could ever want out of it, I'm able to use it with my synthesizers for ambient tones like strings and things of that nature. Tracking is perfect no issues at all I wish I had purchased this when it first came out it's about the best investment I have ever made as far as my gear is concerned. I would recommend it however to someone who has a little experience with processors this is definitely not something someone sta rting out or a newbie wants to play with they could become very easily discouraged. But I use mine with a Windows 8 tablet and I can edit everything right there on the tablet you can also use it with your computer as well for editing and it makes everything so much easier and much more intuitive, I really can't find anything negative to say about the VG 99, I just wish it had a built-in synthesizer for pcm tones like the GR55, I did on the gr 55 but the VG 99 is far superior as far as actual guitar processing goes, and of course you can use it with external synthesizers and sound modules.Verified purchase: Yes Condition: Pre-owned. The VG-99 is a truckload of guitars in a single packageNot only does the VG-99 have great effects, distortion, echo, chorus, etc. And great amp emulation - it also models different stringed instruments. Bass, acoustic guitar, dobro, les paul, strat, tele, dan-electro, banjo, mandolin, SITAR - and to top it off, gr300 analog guitar synth.

With two parallel effects chains and individual tuning for each string in each chain, the sound of the 12-string acoustic patches is amazing. I use the BOSS RC-50 looper when I perform, and the VG-99 complements the looper perfectly. I can get authentic bass, any guitar I can imagine, and vintage synth all with one guitar. If I get bored with that, I can hook my AdrenaLinn III up to the guitar out, and attach a synth to the midi out.I'm trying to conserve floor space, so I appreciate that a double footswitch and a continuous controller pedal can be used with the VG-99 as an alternative to a full midi control pedal. And the D-Beam controller is a great dramatic effect. The APC-33 clamp let's you attach the VG-99 to a microphone stand, saving even more floor space. Vg99 gutiar synththis unit is right on time with the demand for synth music i play in www.sicdown.com and this unit has became my new sound the bass setting allows me to not need a bass player period and since it doubles everything perfect no more sloppy bass player for me.its alittle tricky to get computer drivers.if your familuar with rack processors this thing is easy to use and has great cleans sitars and onboard effects.distortions are great for practice at home but are no match to my rectifier yet.get the stand with it.no latency ive ever herd and i play fusion metal.